Antoine Clapisson was born in 1780 in Lyon where his father was a maker of woodwind instruments. He was a pupil of the famous horn virtuoso, Giovanni Punto (1746-1803) [1]. It is not known when Clapisson studied with Punto. The great artist was resident in Paris from 1782 to 1798 although he was touring in Germany and London in 1787 - 88. It would seem most likely that Clapisson's studies began with him sometime after his return to Paris in 1789. [2] |
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Journal des Artistes, Paris, July 1, 1827 Journal des Artistes, Paris,
June 17, 1832
Handbuch des Musikalischen Literatur, Leipzig,1828 (http://fr.wikipedia.org) |
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The Clapisson Families. |
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M. Pierre Clapisson du Lin, Secrétaire du Roy, Contrôleur Général de l’Artillerie de France and his wife dame Marie de Vouldy purchased the Citadel de Boucé in 1667. The previous owner, M. Antoine du Buysson, had not been a good businessman, however, and M. Clapisson was soon overwhelmed by his creditors. He died in 1673 and his widow finally sold Boucé to Lieutenant General Charles Guillaud de la Motte, husband of demoiselle de Marmande. |
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C.L. Clapisson was appointed as a Procureur aux Cours de la Sénéchaussée et Présidial de Lyon (magistrate in the Court of the Administrative District and Presidial of Lyon) in 1771. In 1782 he was the fiscal magistrate for competition and survival of the port of Lyon in the eastern suburb, parish, and estate of Guillotiere.[2] His residence was on the Rue. des Trois Maries. |
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Acknowledgments
Notes 1. Punto was born Jan Václav Stich in Žehužice, Bohemia in 1748. He was a serf of Count Johann von Thun who, noticing his early talent for music, sent him to study the horn, first in Prague, then Mannheim, and finally with Hampel and Haudek in Dresden. He returned to the service of his master around 1765, but grew restless after a few years. He decided to run away to become an itinerant horn soloist using the pseudonym Giovanni Punto to evade capture by Count von Thun. Under that name he became one of the most famous virtuosi of all time. In 1782 Punto settled in Paris in the service of comte d'Artois who later became Charles X. In 1787 he took a leave of absence to travel the Rhineland towns, and the following year he went to London. In 1789 he returned to Paris to conduct the orchestra of the Théâtre des Varietés Amusantes. Sometime between 1792 and 1795 while still in Paris, he published his méhode for horn. In 1798 he went on an extended tour of Germany before returning to his native Bohemia in 1801 where he died two years later.
2. There was ample reason not to remain in Lyon. The city is located at the confluence of the Rhône and Saône rivers. In 1787 the worst flash flood in fourteen years turned the suburb of Guillotière into a vast lake and destroyed several of the city's famous textile mills. The unusually harsh winter of 1789 froze the rivers, destroying bridges, boats, a chocolate factory, and a button factory.
1. Dwight's Journal (1861) and l'Univers Musical (1854) give his birth date one year later as September 16, 1809.
2."La Guillotiere, fauxbourg, paroisse & seigneurie à la porte de Lyon. Proc. Fifc. en concurrence & survivance, M. Clapisson, procureur à Lyon." (Almanach, (1782), p.82)
3. See Finley-Croswhite (1999, p, 167ff) "The Debt Issue in Lyons: The Edict of Chauny",
References
Almanach Astronomique et Historique de la Ville de Lyon, et des Provinces de Lyonnois forez et Beaujolois pour l’Anné 1782, Aimé de la Roche, Lyon, 1782
Blom, Eric, ed., Grove's Dictionary of Music and Musicians, Fifth Edition, St. Martin's Press, New York, 1954
Chambet, C.J., Histoire de L’Inondation de Lyon…, 3d ed, Chambet Ainé, Lyon, 1841
Didot Frères, ed., Panorama Pittoresque de la France, Tome 2, Bureaux de la Cie. Bibliopéene, Paris, 1839
Finley-Croswhite, S. Annette; Henry IV and the Towns: The Pursuit of Legitimacy in French Urban Society, 1589-1610, Cambridge University Press, 1999
Fitzpatrick, Horace, The Horn and Horn-Playing and the Austro-Bohemian tradition from 1680 to 1830, London, Oxford University Press, 1970
M. Bt D. M...eux (Bruyzet de Manivieux) [son petit neveu] , Éloge de M. Sourbry, Chambery, 1775.
Morley-Pegge, Reginald. The French Horn. A Benn Study, Music, Instruments of the Orchestra. Second Edition. London: Ernest Benn Limited/New York: W.W. Norton & Company Inc., 1973. ISBN 0510366015 051036607 Pbk. 0393021718 (USA)
"Sketches of French Musical History, XVI, The Opera Comique of the Present Day", Dwight's Journal of Music, Boston, v. XIX, no. 7, May 18, 1861
L'Univers Musical, Paris, v. 2, no. 8, April 15, 1854,
Vallas. Léon; La Musique à Lyon au Dix-Huitième Siècle, Tome I, La Musique à L’Académie, Édition de la Revue Musicale de Lyon, Novembre, 1908
Waterhouse, William, The New Langwill Index of Wind Instrument Makers and Inventors, pub.Tony Bingham, London 1993
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